I read this story today in the Wall Street Journal. It moved and inspired me. This man has an incredible passion for living and sharing.
Following a Stroke,
A Japanese Pianist
Reinvents Himself
Izumi Tateno Embraced
A One-Handed Repertoire;
Inspiration in Rehab
By YUKA HAYASHI
November 12, 2007; Page A1
TOKYO -- One evening in January 2002, 65-year-old
Izumi Tateno was performing the last piece in his piano recital when
his right hand began to wobble. The Japanese pianist, now 71, finished
the Edvard Grieg piece with his left hand, and collapsed. He was having
a stroke that paralyzed the right side of his body.
"In an instant, I lost all the music that I had accumulated inside me for over 60 years," he says.
|
See
a performance by Izumi Tateno, who rebuilt his career as a one-handed
piano player after a stroke that paralyzed the right side of his body. |
Mr. Tateno still hasn't gained command of his right
hand. But after a long, soul-searching journey, he is back on stage
performing dozens of concerts a year. He plays music composed
especially for the left hand, sitting on a custom-made bench that
stretches across the length of the piano to give his left hand full
sweep of the keyboard. He has appeared in several documentaries and has
even played a duet with Empress Michiko.
"Many people have told me I should just take it easy,"
says the tall, soft-spoken Mr. Tateno. "But I am not interested in
taking it easy. I don't even know how to. I want to perform as I have
done in the past 50 years, so I can share my music with others."
Mr. Tateno's drive to rebuild his career after a
late-life illness has resonated in Japan. In the rapidly aging nation,
where 21% of the population is over 65, millions are eager to find ways
to make their last decades of life meaningful. Thousands of seniors
have applied to the Japan International Cooperation Agency, the local
equivalent of the Peace Corps, in hopes of serving as volunteers in
developing nations. Others are starting up new businesses or signing up
to volunteer to help bedridden seniors and working mothers with young
children.
TWO COMPOSERS
Alexander Scriabin's "Two pieces for Piano Left Hand Op. 9" were included in Mr. Tateno's 2004 album "Piano Works for the Left Hand."
Listen: "Prelude" |
"Nocturne"
Takashi Yoshimatsu,
a Japanese composer, wrote a series called "Three Sacred Songs for
Piano Left Hand" that included a variation on Jean Sibelius's
"Finlandia Hymn." Mr. Tateno played it on his latest album, "Izumi
Tateno Plays Takashi Yoshimatsu."
Listen: "Finlandia Hymn"
Hideo Yasuhara, a 71-year-old retiree who had a stroke
three years ago, attended one of Mr. Tateno's concerts in September and
was inspired. Mr. Yasuhara, a former department-store worker, was
already keeping busy taking computer and calligraphy courses at a
community center near his house in western Japan. After the concert, he
decided to step up his rehab for his left hand, signing up for an
intensive, three-week session.
"Mr. Tateno made me think I could do so much more with my life," Mr. Yasuhara says.
Born in 1936 in Tokyo to a pianist mother and a
cellist father, Mr. Tateno grew up in a home filled with music. He had
his debut as a classical pianist in Tokyo and moved to Helsinki in
1964, lured by the literature and the "pure and slightly sad"
atmosphere of Finland. He married Maria Holopainen, a Finnish singer,
and they had two children.
Mr. Tateno lived in Finland but regularly performed in
Japan, captivating Japanese fans with the romantic music of Grieg and
Jean Sibelius. Over the years, he gave 3,000 concerts and made nearly
100 recordings. He had just celebrated his 40th anniversary as a
professional pianist when he collapsed on stage in a town north of
Helsinki.
During the first few months after his stroke, Mr.
Tateno assumed he would be back performing in a matter of months. But
once home, he grew frustrated with the lack of progress. He could move
his fingers on his right hand, but it was impossible to hit the same
key repeatedly.
Sympathetic friends suggested that he play the
"Concerto for the Left Hand" by Maurice Ravel -- one of the few widely
known piano pieces for the left hand. But the mere mention of Ravel
upset him. He wanted to play with two hands. Playing that piece felt
like an admission of defeat.
"I thought I would never play Ravel even if I were
dead," Mr. Tateno wrote in a collection of essays called "The Sea of
Sunflower" published in 2004. "I said, to hell with music for the left
hand."
Mr. Tateno spent his time going to rehab sessions and
trying different masseurs. In early 2003, Mr. Tateno's son, Janne,
visited from Chicago where he was studying violin. Janne Tateno had
found a few piano scores written for the left hand in a Chicago music
store. But he didn't give them to his father right away, afraid that he
might be offended. He left the scores on his father's piano.
Mr. Tateno didn't talk about the scores or attempt to
play them while Janne was visiting. But one day, he picked up one
called "Three Improvisations for the Left Hand," by British composer
Frank Bridge, who had written the music for a friend who had lost his
right arm during World War I. Mr. Tateno began to play and got so
immersed, he says, that he forgot he was playing with just one hand.
"That's when I came to realize that music was music,
whether you play it with one hand, or two hands or three," he says.
"That realization changed me completely."
![[Tateno]](https://online.wsj.com/public/resources/images/P1-AJ566_PianoJ_20071111204832.jpg) |
Izumi Tateno playing at a concert. |
Actually, quite a few scores for the left hand
existed. Many were composed for soldiers injured in wars. The largest
collection was written for pianist Paul Wittgenstein, the son of a
wealthy Austrian industrialist who lost his right arm during World War
I. Mr. Wittgenstein, who later moved to the U.S., commissioned
composers, including Ravel, to write music for the left hand. The Ravel
piece has also been played by Leon Fleisher, an American pianist who
temporarily lost the use of his right hand because of illness, and Gary
Graffman, another American pianist performing with the left hand, who
also plays several left-hand pieces commissioned for himself.
Still, many left-hand pieces were short and not fit
for the concert hall. Mr. Tateno asked a few old friends to help. Among
them was Takashi Yoshimatsu, a Japanese composer of contemporary music
known for his romantic style. "When he first came to me, he had a lot
of anxiety, not sure if he could go back to the stage with just one
hand," says Mr. Yoshimatsu. Other composers, including music students,
pitched in, creating a library of about 30 pieces.
In the fall of 2003, Mr. Tateno returned to performing
with a series of small recitals in Japan. To give his left hand a rest
and to make up for his short performance, he talked with the audience.
At one event, a woman asked whether he was frustrated that he couldn't
play most of the music he knew.
"How can I be dissatisfied when I can express myself fully through music?" Mr. Tateno replied.
Mr. Tateno recorded the first of several CDs of music
for the left hand and, in Tokyo in the spring of 2005, he performed
Ravel's "Concerto for the Left Hand," the piece he had shunned after
his stroke.
During a performance last year, Mr. Tateno suddenly
felt an urge to play a simple melody with his right hand. He tried it
and it worked. Mr. Tateno saw his wife, Maria, sitting in the audience
with tears in her eyes.
"When I play with the right hand, I get a gentle
feeling similar to new leaves coming out in the spring," Mr. Tateno
wrote in an introduction to his latest tour. "They are still delicate,
but maybe in time, they will grow strong."
Write to Yuka Hayashi at yuka.hayashi@wsj.com
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